. At this point in our post-pandemic world, none of us are strangers to virtual events. From all-company meetings to virtual fundraisers to livestreams of in-person concerts, galas and more, we’ve all gotten pretty comfortable with watching events from the comfort of our own couches. But when it comes to producing your own virtual event, lots of folks are still in the dark. And that’s okay — we’re here to help! Even if you’re planning a return to in-person events, the truth is that a virtual component is no longer optional. Allowing attendees to engage remotely expands your reach, makes your event more accessible, and helps you spread your message to those who may not have otherwise received it. So after partnering with SmashFly Technologies to stream their event, Transform Virtual The first step in hosting a successful virtual event is to determine its theme and content. Branding and visual communication is one of the most important factors to consider as you start planning, and will determine all of your event messaging, speakers, marketing strategy, and more. So start by outlining your goals and budget. What are you hoping to accomplish with your event, and what metrics will you measure to define your success? From there, outline the main talking points and tone you want your event to take. For SmashFly, they wanted to leverage the success of a recent in-person event in an effort to continue to engage their audience. Once you have a general sense of what you’d like your event to look like, it’s time to get down to brass tacks. What kinds of content will you include in your event? Just as with any event, your content should include a mixture of different presentation formats. This can include keynote presentations, breakout sessions, and panel discussions. And as Charlie Kennedy reminded us in another recent panel discussion, virtual events come with their own sets of challenges when it comes to programming. He says: So it’s not enough to prepare a Powerpoint presentation and call it a day. We have to work a lot harder now to keep audiences engaged while they’re distracted with everything going on behind their computer screen. So think about how you might educate your audiences with interesting speakers, while also keeping them entertained and present. Here are just a few ideas to get you started: Next, it’s time to choose a format (or “container”). Where will your virtual event live? How will your audience engage with your content? These days, there’s no shortage of options for hosting an event remotely. Facebook, Instagram, Youtube and LinkedIn all offer live streaming options, giving audiences the ability to react and comment on the content they’re viewing. Other platforms like Zoom or Vimeo offer a bit more privacy if you’re looking to make your event feel exclusive, or if you’d prefer to pre-record all of your content beforehand. Here, attendees might be able to interact with each other in the chat, or click on links for more information about your brand. These platforms also offer accessibility features like closed captioning or alternative languages, making your event more approachable to more people. For a fully immersive experience, consider licensing a virtual events platform like Hubilo, Hopin or cvent. While costly, these all-in-one platforms support virtual networking, Customer Relationship Management (CRM) integration, and built-in interactions that drive engagement through the roof. Whatever platform you choose, make sure you do plenty of research to understand how the tech works before the big day. (We know this piece of the puzzle can feel like a lot — so we’re always here to support you with the right technology and help you produce a seamless event! Get in touch to learn more.) Once you’ve outlined your content and platform(s), do some research to determine who the best speakers would be for your event. Perhaps it’s a client, or someone who works for your company. Or maybe it’s a highly-regarded expert who can speak to your event topics. Going big? Maybe you book a big-name celebrity as your keynote speaker! When your outreach is complete and you have commitments from your speakers that they’re willing to participate, the Mainstream team always recommends scheduling a “dry run” tech check call with speakers before the event (or pre-recording). This ensures they are comfortable with the recording software, have adequate internet speeds and proper lighting. It will also give you a chance to control the background of the speaker to avoid distracting images or bad patterns. Shannon offers this helpful advice: Set expectations with your internal stakeholders that they will need to be flexible to accommodate your speaker’s schedules during the weeks leading up to the event. What’s an event with no attendees? Before your big day, be sure to include marketing in your overall event strategy. It starts with a strong landing page where audience members can find more information and register. From there, schedule promotional email blasts and social media posts. For larger events, maybe you’ll even reach out to local media to promote and help cover the event. Here’s what SmashFly did: Even though you may get a slew of registrations the week before the event, it’s still important to keep audience members engaged before you hit the “Go live” button. Send regular reminders to registrants with a sneak peek at what they can expect, and instructions for how to join on the day of the event. Congratulations! You’ve produced some exciting content with world-renowned subject matter experts. Whether you’re live or streaming pre-recorded content, the last step is to push “Start” on your event and engage with your audience in real time—by monitoring your social media outlets and responding to chats and Q&A during the event. Think about what hashtags you might use to drive community conversation on social, and understand where your audience is spending the most time so that you can maximize their event experience and meet them where they are. And if there are any questions that can’t be answered during your event, make sure you flag those too so that you can follow up with event attendees after the fact. No one likes to be left hanging! Now that your event is over, it’s time to look at the data and see how it went. For SmashFly, they wanted to keep their audience watching the content as long as possible. Their average viewing time was about an hour, nearly twice the industry standard. Other points of data may include: With data in hand, you can understand how to make your next event even more successful. With proper planning, SmashFly knocked their first virtual event out of the park. SmashFly leaves us with this wisdom: If you have any further questions or would like Mainstream to produce your virtual event, feel free to get in contact with us! We’d love to share our expertise with you or even handle your entire virtual event from start to finish. A previous version of this post was originally published on 7/28/17 by Brian Ciaccio. Live video streaming is a remarkably engaging tool that brands, content producers, and events can use to connect with followers and grown an audience. While a bit later to the game than other social media platforms, Facebook has made a significant push to incorporate live streaming into its platform. In 2016, 16% of marketers reported using Facebook Live – and with an engagement rate 3x that of traditional videos, it’s easy to understand why! With a few dozen streams on Facebook Live now under our belts, we have identified a few best practices that can help increase your viewership and drive engagement with your audience. Whether you’re streaming a press conference, an annual meeting, an interview series, or a live music festival, these practices all apply. (If you have any specific questions, give us a call or shoot us an email – we are always happy to walk people through their first Facebook live setup!) If you were having a party and didn’t tell anyone about it, you wouldn’t expect anyone to show up, right? The same is true for a Facebook live event. In order to reach a high-quality audience, you need to promote it beforehand. This is especially important if paid promotion is a part of your marketing strategy, as you are currently unable to boost a Facebook Live event. Make sure you include event specifics in your promotion posts, such as when the event will occur, who will be involved, and how you want your audience to engage (like, share, leave questions for your presenter, sign up or register, and so on). If you have already built up your brand’s presence on Facebook, then you should absolutely run your event through your brand’s page. There is no need to create an event for your broadcast or run it through your personal page. Depending on time and duration of your broadcast, you can normally expect 10-25% of your total followers to engage with your content. If you have only just begun growing your audience on Facebook, you may want to consider partnering up with a more established page in order to drive more viewership. For example: if you work at a university and want to stream an event for your department, work with your school’s social media team to stream the event through its main Facebook page. Facebook Live allows you to schedule a stream up to 7 days in advance. We recommend creating your live post 24 hours before you plan on going live. Viewers will be able to like and share your post prior to the event, as well as set a reminder so that Facebook alerts them once you go live. That way, your audience is already in place when you start your show! When you schedule a Facebook Live post, it will automatically go live at its scheduled start time. You must begin your broadcast within 10 minutes of your scheduled start time, or your event will be cancelled – so make sure you are prompt! Pin your event to the top of your Facebook page so any new visitors are alerted to your broadcast. That way, you can continue to post content prior to your event as you normally would without your stream being lost in the feed. Unlike on other platforms, you do not want a long hold screen while your audience is settling in. Keep your hold screen up for under one minute, or your audience will begin to tune out. If you need a bit more lead time, consider shooting pre-recorded content you can show prior to your stream starting. You could also set up a behind-the-scenes camera shot that the audience can watch while you are getting ready. Once you have begun your broadcast on Facebook Live, keep your audience engaged! Pin a message to the top of your comments so newcomers know what they are watching. Your audience wants to feel like they are a part of the event. Encourage your on-screen talent to address the Facebook audience directly. It’s also very helpful to have a representative engaging in the chat, liking and replaying to your audience’s posts in real-time. Encourage your Facebook audience to interact with your stream. Strategies may include asking questions to your presenters, participating in a raffle or give-away, voting on the content using Facebook emojis, or all of the above! Once your event has concluded, Facebook will archive it in your video library. Your archived recording can be a powerful post-engagement tool (which, unlike your live stream, can be promoted through a paid ad campaign). One trick that often gets overlooked: always, always, always add captions to your Facebook videos. There are highly accurate captioning companies such as Home Team Captions or 3Play Media which can help you with this. 85% of Facebook videos are viewed without sound, so captions are essential. Studies have shown that adding captions increases a video’s average watch time by 12%. If there were some moments during your Facebook live broadcast that your audience found particularly engaging, cut those segments out and re-upload them as short clips. You can repurpose these shortened videos on YouTube, Instagram, or other social media channels. A properly optimized Facebook Live event is one of the best engagement tools in the digital marketing tool belt today. If you are considering producing your Facebook Live event, contact us today and let us know – we are here to help! Welcome to 2017, everyone! We thought we would kick off the New Year by brain-dumping everything we know about setting up an event on YouTube Live. It’s a great platform that, in our estimation, covers at least half of all use-cases with a live stream. As mentioned in past articles, it is not without its shortcomings. But at the end of the day, YouTube Live is a powerful platform for streaming just about any live event.With that said, let’s dive right in! First things first: you will need to enable your account for live streaming. You can do this by going to your Live Events Panel and clicking on “Enable Live Streaming.” You’ll need to verify your account, so have your cell phone handy. If you wish to embed your stream somewhere other than YouTube, you’ll need to link your YouTube account to Adwords. The approval process can take up to 48 hours, so make sure you get this done well before you intend to stream! Once approved, you’ll simply go into Creator Studio > Channel > Status and Features, and turn on embedding. Next: selecting your streaming software! There are more and more software packages available that offer streaming to YouTube every day. Luckily, YouTube keeps a list of recommended software. All recommended software integrates natively, meaning that by inputting your YouTube login credentials, you will be able to stream to YouTube Live directly. This is actually A Big Deal: it takes out the complex (and error-prone) process of entering your RTMP address and unique stream key. Want our recommendations on which software to use? Well, sure! Here you are: So we have enabled our account, and we’ve selected our software. We’re now ready and able to start streaming! If you look in your Creator Studio > Live Streaming sub-menu, you have two options: “Stream Now” and “Events”. Selecting the “Stream Now” Option pushes you directly to your public live stream control room. Here, you control your entire public broadcast. (If you want to create a broadcast that isn’t publicly available, you’ll want to read about the “Events” Option.) Your stream will show as Offline until you start pushing content from your encoder. Prior to streaming your show, it’s helpful to change your video title and description. This will display on your stream’s watch page as well as the archived recording of your event. When you begin pushing content, you will see a light turn green. At this point, in the parlance of Google, “people can totally see you now.” Links to share your stream are located at the bottom right of the page. You can use that link to go directly to your stream’s watch page, where you can also get its embed information. IMPORTANT NOTE: this code will change every time you go live, so you can’t just continuously embed your public live stream. If you are embedding regular streams, remember to swap in your new embed code! During the stream, you can also manage your chat from the same Control Room. BONUS TIP: If your YouTube Live event becomes popular, you will see it pop up on YouTube’s Live Stream front page This can introduce your event to a whole new audience! So, “Stream Now” is great if you want an impromptu, public event. However, if you need control over who sees your stream or when it begins, you’ll need to manually create an event. First: schedule an event. When creating your event, you’ll enter the same info as you would any YouTube video: title, description, keywords, and so forth. Next: choose your sharing options. If your event is meant for a closed audience, then select “unlisted”. That keeps your event from being indexed for search, though it does not prevent people from publicly sharing your link. You will then want to check out your Advanced Settings. Here you can enable or disable chat, prevent the stream from being promoted on your page, and so on. For an unlisted stream with no chat, here is how we commonly set our advanced settings: Once that’s done, choose your encoding options: Google Hangouts or custom. Google Hangouts recently folded some of its technology into YouTube Live, so if you are planning on broadcasting a conversation between you and up to 10 Google Hangouts participants, you will actually create that event through YouTube Live. We have used it to host some great Q&As. Here’s an example of it in action. For most broadcasts, however, you’ll use the “custom” setting. On the next page, we’ll set our ingestion settings. Choose a thumbnail if you have a special one for your event; if you do not, YouTube uses your profile image as a place holder. Next, set the maximum sustained bitrate for your encoder. Very recently, YouTube Live has enabled 4K Live Streaming – which is very exciting! There are very few places that can support a 30Mbps upload speed, but we hope to see it more widely adopted in the future. YouTube provides its own guidance on the relationship between bitrate and resolution, but our experience has led us to different conclusions. Here is our loose guide for choosing the correct resolution and bandwidth. If your venue has: In most cases, you should not have to use custom ingestion settings: just select one of YouTube’s presets. In fact, many encoders will not like custom ingestion settings and may throw an error at you when you attempt to broadcast. When you have selected your bitrate, then you will be prompted to select your encoder. If you are using one of YouTube’s (or our) recommended encoding platforms, you should just leave this set to “other encoder”. IF YOU ARE USING WIRECAST PRO, DO NOT SELECT THE “WIRECAST FOR YOUTUBE” OPTION. I know that’s confusing, but “WireCast for YouTube” is a different piece of software entirely, so just leave the settings as is. Once you have authenticated YouTube in your encoder, you should be able to see your event as a stream location. Simply select it, press stream, and you’re good to go! To confirm your stream is working, go to your event’s Live Control Room. It might take a couple of minutes for your stream to come through once you have begun streaming from your encoder, and you may have to refresh the page a few times. (Don’t worry! Refreshing the page won’t break anything!) When the signal comes through, you will see the green light. Click on “Preview to send your stream to the Preview window. Again, you might have to refresh a couple times before it actually plays, and that’s perfectly fine. Once it’s there, you’re good to go: hit start streaming, and you’re live! BONUS TIP: Use YouTube’s Live Editing Feature! It’s especially useful if you’re producing a long day full of numerous sessions (a conference with many panels, a tournament with many games, an awards ceremony with tons of speeches) – you can upload those individual clips in real-time to your channel. Very handy! There’s nothing like connecting to an audience in real-time and interacting with them directly. What a powerful tool that we use, where we can connect to thousands of people instantaneously! The standard tool for engagement is the Chat window. Chat is a fantastic tool to engage your audience or to let your audience engage itself. Unfortunately, you cannot save the chat logs after an event: however, you can add moderators, who can highlight questions, ban bad actors, and so on. This is especially important if your event has a Q&A aspect to it. Another engaging tool that is unique to YouTube Live is Interactive Cards. This will throw an overlay atop your live stream that directs your audience into action. Features include: YouTube Live has made some great updates this past year, and still largely remains unchanged from a functional perspective. With plenty of other players entering the market, it will be interesting to see how Google responds. One weapon they have added to their arsenal: VR live streaming. We are very interested in seeing that space develop! Questions? Comments? Hate mail? Feel free to send it to nick@mainstreamchicago.com. Happy New Year, everyone! While the majority of Mainstream Media’s live streams are multi-camera configurations, there are numerous situations where only one camera is needed. Events such as online learning modules, press conferences, electronic news gathering, and internal corporate broadcasts can be really successful with a simple one-camera setup. If you have been asked to produce a one-camera webcast for your company – or you just want to cover a cool event that’s coming to your town – but don’t know where to begin, fear not! We’ll walk you through everything you need to know in order to have a successful broadcast. First, let us quickly dissect exactly what is required in order to broadcast a camera feed online. Ultimately, the camera at your event needs to communicate with your streaming platform of choice in real time. Below, we will look at various setups as determined by your initial equipment. First: cameras! We’ve included a few important reminders for each type of camera. It’s not always the case that you need a full HD broadcast camera to cover your live event. Sometimes, even a simple web camera will do. Or perhaps you’re limited to the technology your media services department has on-hand. Whatever the case may be, fear not! We’ll go over setups for webcams, DSLRs, smartphones, and broadcast cameras. Option 1: A USB Webcam If you’re using a USB webcam, you are probably planning on broadcasting webcasts or webinars that offer training or online learning courses. Chances are, you’re expecting a concurrent audience – that is, viewers simultaneously watching your live stream – of fewer than 100 people. In order to ensure proper connectivity with your USB webcam, make sure that you have downloaded the most recent drivers for your device. If you plan on capturing audio through your webcam, confirm that the microphone works, too! Option 2: a DSLR (such as the Panasonic GH2/GH3/GH4, Canon 5D, Sony A7s, or others) Using a DSLR? By our estimation, that means you’re likely covering an event such as a wedding, a local music show, a live event, or an internal corporate broadcast. You may also be exploring long-form live streamed content, streaming a particular space for hours, days, or even weeks on end. First of all, it is important to make sure that your DSLR has clean HDMI output. Many DSLRs now include this, but some- notably, Canon DSLRs – require third-party firmware such as Magic Lantern. Install at your own risk and make sure you’re comfortable with the new setup before your event begins! Next, you’ll need to determine what type of output your camera has. There are three options: micro-HDMI, mini-HDMI, and standard HDMI. Option 3: Smartphone Perhaps you’re offering floor coverage a cool event, exploring a new art gallery opening, streaming your favorite band (with their permission of course!), or just connecting with your digital fan base. Whatever the reason, smart phones now have a plethora of live streaming tools at their disposal! Prior to broadcast, make sure you are on WiFi with great upload speeds (for an HD broadcast, you should have greater than 5Mbps). While you can broadcast from a 4G/LTE connection, streaming consumes your data very quickly. Check your bandwidth by using SpeedTest, and run the test multiple times to get a better sense of your average upload speeds. Also: consider investing in an external microphone and a stabilizer. Your audience will really appreciate the added production value! Option 4: Broadcast Camera It’s a high-profile event, and you’re bringing the best gear you have. Or maybe you’re stuck at the back of a room and you’re relying on your broadcast camera’s low-light ability and its big zoom. Either way, you’re broadcasting in full HD and you’re not going to miss a single second! Because you are likely far away from the presenter, plan on bringing some additional audio elements to handle capturing sound. Often, the venue will be able to run you an XLR from their house mixing booth; if you run this into your camera, you’ll be able to capture all speakers exactly as they’re being output in the venue. Just in case, make sure you bring your audio adapters, an extra XLR run, and (if possible) a wireless lavaliere transmitter and receiver set. Next: let’s select your platform! In order to determine the correct live streaming platform for your event, ask yourself these questions: If your company does not already have a platform in place, then follow the guide below for selecting the one that suits your event best. Live Event Streamed to the Public With a public event, you are hoping for as many viewers as possible. The last thing you want is for your viewers to crash the stream because you’ve run out of bandwidth, so let’s look at platforms that support unlimited viewers. In our view, here are the three best options: YouTube is the top choice so long as you do not have copyrighted content and you’re ad-free. It’s free to use, you can embed your stream on your website as easily as you would any other YouTube video, and their servers will never crash. If you have concerns with copyrighted content or that your content might conflict with YouTube’s Terms of Service, you can consider Livestream. The basic plan is free, though your users will be required to sign up for a Livestream account. Premium accounts, which allow you to embed the stream on your website, cost $199/month billed annually or $399/month monthly. If your content is related to either music or gaming, then Twitch is a great option. Twitch has a highly active community of stream-watchers, is free to use, and is very straightforward to set up. Of course, there are many other live streaming platforms available. When deciding which one to use, you should choose based on your audience: where will they be most comfortable? What platforms are they already using? Make it as simple for them as possible! Live Streaming a Private Event Depending on how private your event is, you have a few different options. For example, you can still use YouTube if your event is private: simply change the access from “public” to “unlisted”, and turn off “promote when this event is live”. Then embed it on a page on your website, and direct all traffic there. If you need further protection – such as a paywall, or password-protection – we recommend DaCast. Their plans start as low as $25/month, though you’ll likely need to purchase additional bandwidth if you’re expecting a large audience. For an event that is exclusively internal to your corporation, such as a CEO town hall, consider an enterprise webcasting solution such as MediaPlatform. Their Webcaster platform, for example, allows you to collect registrations, deploy Powerpoint slides and live chats, and many more features that would be of value for an internal corporate broadcast. However, these platforms are comparatively expensive, often costing in the thousands of dollars for single events. Direct Connection to Fans If you want your fans to look behind the scenes with you, then your best bet is a phone-based app like Periscope or Meerkat. These apps, which caught on in a big way in 2015, tie directly into your social feeds (in particular Twitter) and encourage you to interact with your audience while you’re broadcasting. For a more intimate connection with your fans – maybe you’re sitting at your computer, rather than attending a major awards ceremony – you can set up a simple Google Hangout and invite them to attend. By the way, you can run Google Hangouts through YouTube – so you can talk with some of your audience directly while others simply spectate. And it’s archived on your YouTube channel automatically, as well! Okay, you have your camera and you’ve chosen your platform. But in between lies a challenge – how do you connect the two? For that, we’ll need to select a capture device. Roving Cameras If you need to stay mobile – for example, side-line coverage of a sports event, field reporting or electronic news gathering – then you can use an on-camera encoder to send your signal where it needs to go. For this, there’s really only one clear choice: the Teradek VidiU Pro. Technically, it’s not a capture device – it handles the capture, encoding, and streaming of your feed all-in-one. While it is costly ($999), it offers the ability to stream your camera feed via WiFi, ethernet, or 4G/LTE (via a USB modem, not included) directly to any platform of your choice. This includes uStream, Livestream, YouTube, and any platform that accepts an RTMP stream. If you’re using an SDI camera, you might need to go with the more costly Teradek Cube, unless you feel comfortable converting your SDI feed to HDMI. Stationary You’re settling in for a long day of conference live streaming. You have your camera set up at the back of the room, and you’re on the edge of your seat awaiting the first keynote speaker. If you won’t be moving around, then you can feed your camera into a capture device such as the Blackmagic Intensity Shuttle or Blackmagic Mini Monitor. For PCs, we recommend using the Blackmagic Intensity Shuttle or Blackmagic Ultrastudio SDI, depending on your camera. These offer USB3 connections from your camera to your computer. For Macs, use the Blackmagic Mini Recorder, which have Thunderbolt connections. Note: there are many types of capture devices available. Avoid the temptation of purchasing low-cost or generic devices: these regularly have issues with latency, or cause the audio and video to drift slowly apart. We recommend Blackmagic devices because we have never experienced these issues using them. Encoding your Signal Whether you’re using a Mac or a PC, capturing the camera feed is only half the battle. the other half is encoding that feed for your platform of choice. (If you’re using a webcam, you’ll also need to use one of these encoders.) With only one camera and no switching needed, you can feel safe using Adobe’s Flash Media Live Encoder. Select the appropriate input, type in your platform information, and then enjoy the fruits of your labor. If, however, you need to do some occasional switching – maybe throwing in a “thanks for watching” graphic, or an occasional video, then you should plan on using WireCast. While costly ($500 for the basic version), WireCast is the de facto industry standard. It’s a great piece of software, and fairly intuitive to figure out. WireCast also offers other bonuses, such as being able to pull in smart phone feeds, a robust screen capture system called Desktop Presenter, and even social media integration with a live Twitter plugin. As with all other categories, there are other encoding options available – notably, XSplit and Open Broadcaster System, which are both open-source encoders – but we believe WireCast and Adobe FMLE are straightforward enough that anyone can produce a simple broadcast with only a few hours’ training. That’s it for this blog post! Thanks for sticking with us. As always, you can e-mail us at info@mainstreamchicago.com if you have any questions, concerns, or comments. TL;DR:
, we caught up with their Event Marketing Manager, Shannon Pierce, for her expert insights on how to plan a virtual event successfully. Here’s what she had to say. How to Host a Virtual Event in 7 Easy Steps
1. Getting started

“We hosted a super successful in-person conference – SmashFly Transform
– and it created so much buzz we knew we had to do it again. The only problem was cost. In-person events can be incredibly expensive. We wanted to keep the momentum of Transform going and continue growing this community, but can we get everyone together virtually and still have a great event? Turns out you can!Transform Virtual
was branded the same, the virtual experience was just like our livestream experience from the Transform event and the content was presented by practitioners so it’s all peer-to-peer learning (same concept that was so well received at our in-person event).”2. Outline your content
“We have to think of this like we’re producing a TV show. We have a much shorter amount of time to keep the viewer’s attention. Whereas in a ballroom, we always knew where people were, if they were paying attention or not — it’s a whole new challenge when we can’t see our audience.”
— Charlie Kennedy, Founder & Creative Director, Show Up Event Consulting

3. Choose your format
4. Secure (and prep) your speakers

“Honestly, the hardest part about planning a virtual event is scheduling your speakers, internal stakeholders and your production team for all the calls that it takes to pull the event together.
Our goal was to have 3 calls with each speaker: first the kick-off call to introduce the event and discuss a topic, next a dry run to walk through the entire presentation and make content suggestions, and then the final session call as if they were presenting live.”
5. Promote your event
“In order to get the word out about Transform Virtual
we used email marketing, mobilized our internal sales reps and customer success team to send personal invites to their accounts, social media including Twitter and announcements to our Transform Community Facebook Group, retargeting ads and partner marketing. Our content team was constantly writing tweets and sending them out internally and to our speakers to activate as many people as we could on social and make is super easy for them to spread the word.One of the biggest differences between an in-person event and a virtual event is that the bulk of your registrations for a virtual event come the week prior to your go-live date. We heavily exceeded our registration goals, but over 50% registered in the last 4-5 days (including the day of!). It’s always a little stressful waiting for your pre-promotion campaigns to convert into registrants.”
6. Run your show
7. Analyze, analyze, analyze!
Final Thoughts
“Besides the obvious need to deliver great content and work with your speakers very closely on their presentation development, make sure you have an awesome production partner if you plan to host a virtual event. You content could be awesome, but your production partner can help make the viewing experience more dynamic and interesting.”
Streaming on Facebook Live
Promote Your Event Beforehand
Run the Event Through Your Brand’s Facebook Page
Schedule Your Post
Keep Your Intro Brief
Engage Your Audience
After the Event: Keep Engagement Going!
Conclusion
Getting Started
Choosing the Right Streaming Software
Let’s Go Live!
Using the “Stream Now” Option
Using the “Create Event” Option

Engaging the Audience
Summing Up
The Fundamental Setup

Choosing the right camera for your live event





Selecting the Right Platform for your Event


Selecting the Proper Capture Device for your Camera


At the event, Telestream launched its new stream production tool. Known as Gameshow, the low-cost tool – a stripped-down, sleeked version of its popular webcasting program, Wirecast – offers the gaming community the ability to create dynamic, interactive, high-quality streams at the bargain-basement price of only $9/month. It’s available for Mac & PC and streams directly to YouTube or Twitch.
Though unintended by Telestream, this tool can be a powerful asset for those who regularly produce webinars.
Webinar producers can learn a lot from the eSports & streaming communities. The two products – webinars and game streams – are structurally very similar.
Both webinars and game streams feature the following:
Besides the compositional similarities, there are similar goals in the positioning of the audience and the presenters. In both cases, presenters seek to be seen as thought leaders in a particular area. The audience sticks the presenter for an extraordinarily long time – Twitch users watch their favorite streams for an average of 109 minutes a day, while a typical webinar will keep a viewer engaged for over 30 minutes. Whether your goal is to distinguish yourself as an expert in generating PR for technology startups or in withstanding a 6-pool zergling rush in Starcraft, your method of attracting and engaging an audience is the same.
Even though Telestream’s “Gameshow” is geared towards streamers, it can also be a vitally useful tool for webinar producers as well. It’s designed from the ground-up to be streamlined into complex workflows: the last thing a gamer wants is to lose valuable clicks-per-minute on a clunky production tool. So production is as simple as possible. Here’s how it works:
With one click, select a pre-designed template. You can also build your own.

While Twitch is a great platform for streamers, most webinar producers will find YouTube’s interface much more suited to their goals. Input your username and give your camera and mic access, and Gameshow will prompt you to login to your YouTube account.


Gameshow’s user interface is incredibly intuitive – especially if you’ve used Wirecast. Customize each shot with screen /window captures, webcam shots, and a suite of dynamic interactive elements such as image carousels, web displays, social media icons, and more.
Once you’re all set, click the “Stream” button in the top-left corner. You’ll see a count-up timer start. If you go to your YouTube Live Dashboard it will look like this:

If the light is green, you’re good to go! Scroll down to the bottom of the page and go to the URL to your broadcast. You can then embed in your website as you normally would any YouTube video.
Using these tools to their fullest effect can have an immediate impact on your audience engagement, But there are key differences between the two industries to consider. While Twitch and YouTube are the platforms of choice for streamers, webinar producers have many more options. WebEx, GoToMeeting, WebinarPlatform, and more all exist and share a userbase. Currently, Gameshow only supports YouTube and Twitch, but with a “virtual camera” option, as we see in WireCast, webinar producers would gain access to the platform of their choice.
The other key difference is the “formal”-ness of the presentation: whereas streamers tend to show content off the cuff and in a less structured schedule, webinars tend to feature rehearsed presentations at a very specific pre-appointed time. You have to tune in at the right time and watch an entire webinar in order to get the most out of it; streamers encourage folks to tune in and out as they please, catching a few minutes here and there. You don’t have to watch Naniwa’s entire 8-hour stream to enjoy it; you can watch him rip apart an enemy for one match, crack a couple jokes in the chat, then go on to the next channel.
Webinar producers can learn much from the streaming community. Creating accessible, irreverent, yet high-quality broadcasts would cast a wider net and help create a more focused, engaged audience. Producers should also adopt the filmmaking mantra “show, don’t tell” – rather than deliver a rehearsed pitch, put your presentation into practice and let your audience come along for the ride. If your webinar discusses how to increase sales effectiveness, stream yourself as you call, qualify, and sell your product. If you’re leading an e-class on how to develop an electronic press kit, let them watch as you develop the actual materials in yours.
By adopting some of the tools and ideas from the streaming community, webinar producers can drastically increase their impact and effectiveness. See you at Twitch Con 2016, and if you need help producing your webinar, reach out to us!
Why? Over the last few years, the cost of live stream production has plummeted, largely thanks to technical innovations from companies such as Blackmagic. Gone are the days where complicated switcher setups are required just to perform a simple 2- or 3-camera stream. With HD-SDI and HDMI inputs, the Blackmagic Decklink Mini Recorder is a powerful tool – and at under $150, the price is hard to beat!
Best for: Custom-built live streaming computers (you need to plug it into the PCIe slot on your motherboard)
Not recommended for: Folks streaming from laptops, or who require an output feed from their capture card.
Worth mentioning: Don’t have a PCIe slot? Just get a Blackmagic Intensity Shuttle (USB3 or Thunderbolt)!

Why? Oftentimes, the most time-consuming and frustrating aspect of live production is running, hiding, and securing the miles and miles of cable necessary to connect all your components. The Teradek Bolt Pro removes the need for big cable runs, and at a reasonable cost (under $2,000) it’s affordable for most production companies.
Best for: events where running cable might be problematic, like live music events; events that require lots of camera movement within a compact space
Not recommended for: long events (the internal battery on the Bolt Pro lasts about an hour, although it has a 0B 302 series LEMO connector for external power); events where line-of-sight between receiver and transmitter may be compromised by structural elements
Worth mentioning: Teradek makes three models of the Bolt Pro: the 300, 600, and 2000 – with the number corresponding to the total range (in feet) of the device.

Why? Wirecast is the de facto standard for live streaming software, and has been in the game for a very long time. Wirecast 5 can stream to any live encoding platform with the exception of New Livestream, and offers fully manual control over everything from the resolution to the bit-rate and everything in between. With up to 5 layers of elements, you can create rich, engaging broadcasts very intuitively. You can even pull other RTMP feeds as an input!
Best for: Anyone who wants to produce a live stream on any platform other than New Livestream.
Not recommended for: New Livestream users.
Worth mentioning: 5 had a good run, but was lacking in some key features. Wirecast 6, which came out in November 2014, added pretty much everything Wirecast 5 was missing: playlists, instant replay, a Twitter feed, and better hot keying!

Why? Okay, we’ll admit it. Livestream Studio is really great live streaming software. Its interface feels like a sexy control room, you can output to any platform you want, and it comes standard with everything that Wirecast was lacking. While it’s a bit of a resource-hog, it’s a fully capable live streaming solution and would make for a smooth transition for anyone coming from the analog broadcast world.
Best for: New Livestream users, broadcast engineers
Not recommended for: Mac users (there’s no Mac version), any computers that aren’t top-of-the-line or custom-built.
Worth mentioning: Unlike Wirecast, Livestream Studio does NOT give you fine control over resolution and bit-rates of your stream. Rather, it comes with several output profiles from which you can choose. Annoyingly, you can’t output a single HD stream.

Why? This camera is a workhorse. Arriving on the scene in 2009, you still find these cameras in the field everywhere, and for good reason. Its low light capabilities are top-notch, the zoom is nice and smooth, and we’ve never experienced any back focus issues as with other similarly priced camcorders. One of the first cameras to feature dual-slot recording, you could record for an entire day and never even have to switch out cards!
Best for: ENG production, camera rental facilities, press conferences, back-of-the-room event videography
Not recommended for: cinematic production
Worth mentioning: While the EX-1r uses annoying expensive SxS cards, a simple SxS->SDHC adapter allows you to use SD cards! It also pairs well with the Teradek Bolt Pro, as both can run off the same battery for around 3 hours.

Why? The Panasonic GH2 is a phenomenally versatile camera with an excellent community of support, but one of its best features is probably its most overlooked: clean HDMI output. With the ability to give crystal-clear, 1080p, menu-free video from its mini HDMI port, the GH2 is a great camera for folks looking for a simple one-camera HD live streaming setup. The only downside: it won’t output audio, so you’ll need to figure out an alternative method to run audio into your computer.
Best for: Folks looking to upgrade from webcams or consumer camcorders like the Canon Vixia HFS200; b- or c-cam shots.
Worth mentioning: Because quality degrades rapidly over HDMI, you shouldn’t use an HDMI cable longer than 10 feet for any HD broadcast.

Why? Another major contributor to the decrease in cost of live streaming, YouTube is the first major platform to offer its services completely free. As of December 2013, any YouTube account in good standing is eligible for live streaming. And it’s free to embed!
Best for: Branding your live content and embedding in your website
Worth mentioning: As discussed in this previous post, be VERY CAREFUL if your broadcast contains any copyrighted music. You might get yanked from the air!
Also worth mentioning: Like other platforms, YouTube Live occasionally struggles with audio and video sync issues if you’re using the x264 codec. We recommend sticking with h.264 for now.
Why? DaCast is a true white-labelled platform. For an incredibly low cost (about 5-10% of what other platforms charge), you can embed ad-free streams directly into your website. While the analytics are still questionable at best, DaCast is a truly powerful platform at a very attractive price point.
Best for: Regular production of live events with audiences <100
Worth mentioning: While DaCast does have the ability to create multi-bitrate streams, your computer has to output each stream separately. This puts a greater burden on your computer – so be careful!
Also worth mentioning: We really, really would love to see DaCast implement DVR sometime in the near future. Everyone else does it! C’mon, DaCast!
Why? Because of this:
Got a shoutout on @Toontrack live stream of Devin Townsend’s concert today. Indeeeeeed #Ziltoid #toontrackmetalmonth pic.twitter.com/F6nU5JqhIf
— Storyboard Concept (@storybconcept) November 27, 2014
With more platforms adopting Twitter APIs to allow for broadcast integration, Twitter is the go-to way to have a live discussion with a global audience about your event. Bonus points if you’re able to show their tweets on screen!
Best for: Quick interactions with fans, media, or interested parties Worth mentioning: Hashtagging your event and building up a conversation takes time – make sure to engage with your audience regularly before, during, and after your event!
Ozzie Guillen and his wife on the red carpet. #Emmys2014 #EmmyChicago A photo posted by TV Academy (@chi_natas) on
Why? Conversation flows freely on Instagram, where people love to give love. While it might not be the best platform for live audience interaction, it’s a great platform for your fans to interact with one another!
Best for: #Hashtags. #Lots #Of #Hashtags.
Worth mentioning: Don’t forget – you need a smart phone to sign up for Instagram!
So, did we miss anything? Let us know what you think!